The Battle For Laikipia review – captures a violent story as it happens
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Bird on a Wire: Kris Kristofferson (1936-2024) | Tributes
Almost exactly forty-seven years ago, I saw Kris Kristofferson for the first time when my two primary interests as a…
A Reliable Force: John Ashton (1948-2024) | Tributes
When John Ashton appeared first in Haroula Rose’s “All Happy Families,” now in theaters, I smiled. As he did so…
HBO’s “The Franchise” Takes Satirical Aim at the MCU
Armando Iannucci, the genius behind “The Thick of It,” “Veep,” and “The Death of Stalin,” feels like a perfect fit…
20 Hidden Gems at the 2024 BFI London Film Festival
20 Hidden Gems at the 2024 BFI London Film Festival About Little White Lies Little White Lies was established in…
Love Yourself: Sebastian Stan, Adam Pearson, and Aaron Schimberg on “A Different Man” | Interviews
“A Different Man’s” point of view is layered, introspective, and completely unique. The second collaboration between actor Adam Pearson and…
A Different Man review – an atmospheric, idiosyncratic thriller
A Different Man review – an atmospheric, idiosyncratic thriller About Little White Lies Little White Lies was established in 2005…
On the Hidden Power of “The Hill of Secrets” | Far Flungers
South Korea’s “The Hill of Secrets” is a seemingly simple coming-of-age tale that turns out to be more complex than…
His Own Way: John Amos (1940-2024) | MZS
John Amos was a pioneer in more ways than one. A tall, broad-shouldered man with a barrel chest, a winning…
Female Filmmakers in Focus: Coralie Fargeat on “The Substance” | Interviews
The new body horror film “The Substance” from French filmmaker Coralie Fargeat is not for the squeamish. A satire about…